The RBP podcast with Martin Colyer

IMG_4485.jpgIn this week’s RBP podcast, Mark Pringle and Barney Hoskyns consider the enduring influence of soul giant Curtis Mayfield with special guest (and RBP co-founder) Martin Colyer (in the middle, with a framed Mario Testino shot of Princess Di, part of Martin’s “rider” for appearing on the podcast… don’t ask).

The trio also hear a snippet of Julian Henry’s 1985 audio interview with the absurd Sigue Sigue Sputnik – and talk about how Tony James and co. crashed down to earth despite their stratospheric ambitions. There’s a brief discussion of pieces by featured writer Mac Randall on Robert Wyatt & Bill Nelson, Linda Thompson and Beck, leading on to a rundown of what’s new in the archive for the subscribers, led by chief archivist Mark Pringle: specifically, articles on Del Shannon, Diana Ross, Keith Richards, Vivian Stanshall, Andrew Weatherall and Missy Elliot, as well as a lengthy feature on the drug Ketamine from 1976.

Martin, Mark and Barney then take a journey back in time to the origins of Rock’s Backpages itself, explaining how the idea for the archive originated… and what steps they took together to make it a reality.

get out

Get Out

“I knew my deepest dread had not been of getting robbed or even shot. I’d been afraid of blackness itself.” Nik Cohn, Tricksta

 

Haunted by the trickle of the blood,

the tears that coursed along the skin –

the scenes I watched in horror as I flew –

I never felt as white as I feel now.

 

Around me sit black men and women:

descendants all of men and women

bound and shackled on the ships,

bought and sold five hundred yards from here.

 

How deep the rage must run, how much I’d hate

the pallid man sat here.

How vile the colours of his skin,

how smooth and smart the darkness of their cheeks.

 

There is no end to this, no change is gonna come:

there’s war and more. And even Dan Penn voted

for the blotchy pig, the vicious troll who sports

the honeycomb that’s spun of lies.

 

Get out! Get out!

For even in our blandishments,

our Jazz Age negrophilia,

we’re rotten to the core.

 

Charlestown, Nevis, January 2019